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Torrent Description
NoBusiness Records: NBCD 67
http://www.nobusinessrecords.com/NBCD67.php * Rodrigo Amado: tenor saxophone * Peter Evans: trumpet * Miguel Mira: cello * Gabriel Ferrandini: drums http://www.rodrigoamado.com/ http://en.wikipedia.org/wiki/Peter_Evans_%28musician%29 http://www.allmusic.com/artist/miguel-mira-mn0002483652 http://www.allmusic.com/artist/gabriel-ferrandini-mn0002373840 Recorded by Joaquim Monte at Namouche Studios, Lisbon, March 18th, 2013. Reviews By Tim Niland http://www.jazzandblues.blogspot.com/2014/09/rodrigo-amado-motion-trio-with-peter.html This is a potent collective improvisation group featuring Rodrigo Amado on tenor saxophone, Peter Evans on trumpet, Miguel Mira on cello and Gabriel Ferrandini on drums recorded in Lisbon in March of last year. The obvious precedent of this group given the instrumentation would be the classic quartets led by Ornette Coleman in the late 50's and early 60's. But while those bands improvised freely from Coleman's own quirky compositional ideas, this band takes things a step even further by collectively improvising without a net and molding the fear and exhilaration of such an endeavor into the music. "The Freedom Principle" lays things on the line as the group moves valiantly through sections of loud and exciting free jazz as a full unit and also sections for soloists supported by the fellow members and and sections of whisper quiet music where the listener must pay rapt attention to what is happening, considering that the music is being played at a low volume and a slow pace. The two remaining pieces, "Shadows" and "Pepper Packed" continue this sense of dynamism further with Evans sounding much different than he does on discs by Mostly Other People Do the Killing where he plays in more of a post-bop/free jazz sensibility, and in this case he takes quite a few risks in his trumpet playing and Amado follows suit moving from gutsy squalls of tenor saxophone to long lines of of ominous wind. The rhythm section is interesting also as Mira's cello gives him a lighter and sharper sound than a traditional bass and Ferrandini's drums add a depth of texture that makes for a successful recording. -- By Stefan Wood http://www.freejazzblog.org/2014/06/rodrigo-amado-motion-trio-peter-evans.html By John Sharpe http://www.allaboutjazz.com/rodrigo-amados-motion-trio-and-peter-evans-by-john-sharpe.php By Eyal Hareuveni http://www.allaboutjazz.com/rodrigo-amado-motion-trio-meetings-with-peter-evans-by-eyal-hareuveni.php By Mark Corroto http://www.allaboutjazz.com/the-freedom-principle-rodrigo-amados-motion-trio--peter-evans-nobusiness-records-review-by-mark-corroto.php By Grego Applegate Edwards http://www.gapplegatemusicreview.blogspot.com/2014/07/rodrigo-amado-motion-trio-peter-evans.html Par Luc Bouquet (fr) http://grisli.canalblog.com/archives/2014/07/06/30204826.html Por Pachi Tapiz (es) http://www.tomajazz.com/web/?p=13228 Por Carlos Navarro Acosta (es) http://www.rockaxis.com/vanguardia/cdaxi/rodrigo-amado-motion-trio-and-peter-evans-the-freedom-principle/ 
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