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Chandidas (1932) Bengali MHCe DVD5 -Indian Cinema the Early Years-Classic K.C.Dey [DDR] torrent


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2015.06.19
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Chandidas (1932) Bengali MHCe DVD5 -Indian Cinema the Early Years-Classic K.C.Dey [DDR]

CAST:-
Durgadas Bandhapadhyay...........Chandidas
Krishna Chandra Dey..................Sridam
Amar Mullick.............................Bijay Narayan
Manoranjan Bhattacharya...........Acharya
Dhirendranath Bandhapadhyay....Batuk Ghosal
Chuni Dutta...............................Chatterjee
Uma Shashi..............................Rami
Sunila......................................Kankana

Language: Bengali
Directed by Debaki Bose
Music by Rai Chand Bora
Playback Singers:- K. C. Dey, Umasashi

Songs are included in MP3s ( Courtesy Surjit )
chandidas-01-prem-nagar-men
chandidas-02-basant-ritu-aaii
chandidas-03-marungi-2-sakhi
chandidas-04a-dance
chandidas-04-tadatpat-bite-din
chandidas-05-ai-ri-sakhi
chandidas-06-dekhat-vako-hi
chandidas-07-chhai-vasant-aai
chandidas-08-tore-prakash-se
chandidas-09-prem-ki-ho-jai

NEW THEATRES, the phoenix of Indian Cinema was established on 10th Feb 1931and produced 150 films during their 24 years (1931-1955)
New Theatres, the oldest film producion company of India, rises slowly like the immortal Phoenix of Greek Mythology, suffering a series of setbacks and recovering after prolonged ligitations. B.N Sircar produced his first talkie 'Dena Paona', directed by Premankur Atorthy in engali in 1931. New Theatres ultimately produced about 150 films starting with the silent film 'Chore Kanta' directed by Charu Roy in 1931, ending with Bokul directed by Bholanath Mitra in 1955. Most of New YTheatres films were based on classic literature of Bankimchandra, Saratchandra, Rabindranath, or on social or humanitarian themes, designed for family viewing and devoid of cheap tiltillation or crudity.
New Theatres is also credited with the discovery and utilization of some of the greatest talents of films in India, such as directors Prapathesh, Barua, Debaki Kumar Bose, Nitin Bose, Madhu Bose, Hemchandra Chundar, Phani Mazumdar, Kartik Chatterji, Bimal Roy. Ans singing stars such as Pankaj ullick, Kanan Devi, Asit Baran, Pahari Sanyal, along with the legendary K.L Saigal and the blind singer K.C. Dey.
The milestones created by New Theatres are unforgettable such as 'Chandidas 1932', 'Mukti 1937', 'Vidyapati 1938', 'Jiban Maran 1939', 'Rajat Jayanti 1939', 'Daktar 1941', 'Kashinath 1943', 'Dui Purush 1945'. To the vintage film lovers of India and abroad, New Theatersis celebrating 75 years of this glorious institution.

PROFILE:- Krishna Chandra Dey (K.C. Dey 1893-1962) Composer, Actor
He was S.D. Burman's first musical teacher and mentor. He worked for New Theatres in Kolkata until 1940. He is best remembered for his Kirtan songs.

K.C. Dey was one of the leading musicians of Bengal cinema, particularly the New Theatres' of Calcutta, in an era dominated by stalwarts such as K. L. Saigal and Pankaj Mullick. It was K.C. Dey who influenced Manna Dey to take to music. Otherwise he would have ended up as a barrister, which his chartered accountant father wanted him to be.

Krishna Chandra Dey was born in Calcutta in 1904. He developed a strong liking for kites at the age of 13 and his lust for kite flying ultimately costed him his eyesight, which he lost because of flying kites in strong daylight. Thereafter, he became 'Andh Kavi' K. C. Dey. After having lost his vision, his love for music grew very intensely and he received intense training in music under various renowned experts including Ustaad Dabbeer Khan.

K. C. Dey used to sing for films of Calcutta's East India Company (of Kardar Saheb) and New Theatres. Among the films to which K.C. Dey rendered his voice of rich timbre were Puran Bhagat, Devadas (in Hindi and Bengali, directed by Pramatesh Barua), Vidyapathi, Dhartimatha, and Bhagyachakra. His song "Jao Jao Aye Mere Sadhu" from the New Theatres' film Puran Bhagat (1933), with hardly any orchestra, except perhaps the harmonium and the cymbals, still enthrals music lovers who prefer the pristine film music of old to the high decibel sing-song which is the only film music today's children know of. He used to travel to Bombay for his recordings. He sang 'Bhagwaan Karega Madad Teri..' and 'Na Ranj Kar Badnaseeb Bharat..' in Educated Wife (1934). Finally he shifted to Bombay in 1942.

In Bombay he tried his hands in Music Direction too, apart from singing. His noticeable films were 'Badalti Duniya' and 'Devdasi'. He was not comfortable in Bombay, he started degrading. His songs and music started lacking his original natural touch. He returned to Calcutta in 1946 and people gradually forgot the melody of his magnificent voice. He passed away in 1962, in Calcutta leaving no one behind since he remained bachelor.

K. C. Dey had an unparalleld voice. No other singer of his era or times to follow could match his talent. His voice had the magical effect to touch any heart.

K.C. DEY FILMOGRAPHY
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NOSTALGIA 1932
- Prabhat's first talkie film 'Ayodhya Ka Raja' released in Hindi & Marathi. Due to the non-availability of Alam Ara's print this film is now presented as the first available talkie film.
- For the first time music is used in the place of dialogues in New Theaters' Chandidas. Devki Bose directed the film.
- First Gujrati talkie film 'Narsi Mehta' got released.
- The Motion Pictures of India came into existance. From 1951, it changed its name to Film Federation of India.
- 'Indrasabha' directed by J J Madan, got released. The film holds the record of having maximum no. of songs till date. It had 71 songs with almost every character bursting into a song.

POPULAR FILMS of 1932
1. Ayodhya Ka Raja : V Shantaram - Durga Khote, Vinayak, Govind Rao Tembe
2. Bilwa Mangal : Fraam Madan - Kajjan, Nisar, Patience Cooper
3. Maya Machhindra : V Shantaram - Durga Khote, Govind Rao Tembe, Vinayak
4. Subah Ka Sitara : P Attorthi - K L Saigal, Rattan Bai, Anwari

POPULAR SONGS of 1932
1. Chhod Aakash Ko Sitaare : Maya Machhindra - Govind Ram Tembe
2. Sakal Jag Me Chhatrapati : Ayodhya Ka Raja -
3. Laagi Karejwa Me Chot : Zinda Laash - K L Saigal

Total Films Released : 84
Hindi......61
Bengali.... 5
Tamil...... 4
English.... 1
Gujrati.... 2
Telugu..... 3
Marathi.... 8
Total Silent Films .. 64

SYNOPSIS:- Chandidas (1932)
This film is about Chandidas, a legendary 15th-C. Bengali Vaishnavite poet whose biography remains obscure but was an influence on the better documented Chaitanya (1486-1533), a school teacher who promoted the Vaishnavite ideology in Bengal, mostly through hymns about the Radha-Krishna legend. The film stressed the poet's teachings through the love story between Chandidas and a low-caste washerwoman, Rami. The conventional villain of the saint film genre, who represents the established order threatened by the outsider's revolutionary influence on common people, is the rapacious upper-caste merchant Bijoynarayan. When Rami rejects his advances, he persuades the high priest to insist that Chandidas must repent or be punished for associating with a low-caste woman. Chandidas agrees to repent but when he sees the injuries Rami has suffered at the hands of the merchant's goons, he rejects institutionalized religion in favor of the higher Vaishnavite call for a more democratic god and leaves the village with Rami.

Young poet Chandidas was the priest of the temple of goddess Bashli. Rami, the washer man’s daughter used to clean the temple area. In between his temple-works Chandidas used to sing songs written by him. Rami use to listen to those songs – at times she also used to sing in a low voice. Chandidas fell in love with Rami. He started coming to the pond where Rami used to wash clothes. Rami also loved Chandidas. When Rami sang Chandidas' song her friend Kakanmal did not like it. One day local Zamindar Brijay Narayan with his sidekick Batuk came near the pond and found Chandidas and Rami there. Rami seeing the Zamindar and his sidekick sensed some trouble and requested Chandidas not to come to pond leaving his temple duties. Chandidas promised he wouldn't come here any more. Zamindar Brijay Narayan ordered the head priest of the temple not to allow Rami to clean the temple premises any more. Rami understood why Zamindar was so angry. Brijay Narayan had an eye over Rami and so he sent Batuk to Rami, but she refused. That is the reason why Brijay Narayan is behaving like this. Next day Rami came to the temple as an ordinary worshipper. Brijay Narayan now disallowed Rami to worship in the temple. Days passed, Rami neither comes to the pond not to the pond not to the temple. Chandidas when came to know that Rami was ill. He went to Rami's house but then Rami went to goddess Bashli's temple. Rami was crying and praying to god. Not getting Rami, Brijay Narayan set fire to Rami's house. Kakan and her blind husband Sreedan were found to leave the village. Chandidas also left the village with Rami.

Adapted from a popular stage musical, Debaki Bose directs this tale about the legendary and enigmatic poet Chandidas, who rejected hidebound tradition in favor of a more democratic spirituality. The drama of the film centers on the growing love affair between Chandidas (Durgadas Bannerjee) and low-caste washerwoman named Rami (Umasashi). When Rami rejects the coercive advances of debauched upper-caste merchant Bijoynarayan, he convinces a priest to castigate Chandidas for consorting with the lower-caste. The poet is about to repent until he sees the abuse Bijoynarayan’s henchmen inflicted on Rami. Instead, he escapes the village with her in hand.
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TECHNICAL SPECIFICATIONS:-
Video Codec: MPEG-2
Video Bitrate: 4514 kbps
Video Resolution: 720x480
Video Aspect Ratio: 1.333:1
Frames Per Second: 29.970
Audio Codec: AC3
Audio Bitrate: 448kb/s CBR 48000 Hz
Audio Streams: 6
Audio Languages: Bengali
RunTime: 1:52:17
Subtitles: English
Ripped by: Trinidad [DDR]
Duration: 112 mins





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