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The Meters - Original Album Series (2014) MP3@320kbps Beolab1700  The Meters - Original Album Series (2014) Artist...............: The Meters Album................: Original Album Series Genre................: Funk/Soul Source...............: CD Year.................: 2014 Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520 Codec................: LAME 3.99 Version..............: MPEG 1 Layer III Quality..............: Insane, (avg. bitrate: 320kbps) Channels.............: Joint Stereo / 44100 hz Tags.................: ID3 v1.1, ID3 v2.3 Information..........: Posted by............: Beolab1700 on 13/04/2014 Tracklisting Cabbage Alley (1972) 01. Youâ™ve Got To Change (You Got To Reform) 05:15 02. Stay Away 05:22 03. Birds 04:28 04. The Flower Song 04:51 05. Soul Island 03:11 06. Do The Dirt 02:37 07. Smiling 03:08 08. Lonesome And Unwanted People 04:39 09. Gettinâ™ Funkier All The Time 03:18 10. Cabbage Alley 03:33 Rejuvenation (1974) 01. People Say 05:18 02. Love Is For Me 03:55 03. Just Kissed My Baby 04:43 04. Whatâ™Cha Say 03:29 05. Jungle Man 03:26 06. Hey Pocky A-Way 04:06 07. It Ainâ™t No Use 11:51 08. Loving You Is On My Mind 03:19 09. Africa 04:01 Fire On The Bayou (1975) 01. Out In The Country 03:38 02. Fire On The Bayou 04:10 03. Love Slip Upon Ya 04:59 04. Talkinâ™ ‘Bout New Orleans 03:38 05. They All Askâ™d For You 04:12 06. Can You Do Without? 03:52 07. Liar 05:12 08. Youâ™re A Friend Of Mine 04:11 09. Middle Of The Road 07:57 10. Running Fast 01:27 11. Mardi Gras Mambo 02:39 Trick Bag (1976) 01. Disco Is The Thing Today 04:21 02. Find Yourself 04:12 03. All These Things 03:32 04. I Want To Be Loved By You 05:24 05. Suite For 20 G 04:32 06. (Doodle Loop) The World Is A Little Bit Under The Weather 03:52 07. Trick Bag 03:21 08. Mister Moon 04:02 09. Chug-A-Lug 03:22 10. Hang ‘Em High 02:17 11. Honky Tonk Woman 03:15 New Directions (1977) 01. No More Okey Doke 04:20 02. Iâ™m Gone 04:29 03. Be My Lady 06:27 04. My Name Up In Lights 05:23 05. Funkify Your Life 05:41 06. Stop That Train 04:50 07. We Got The Kind Of A Love 05:20 08. Give It What You Can 04:36 2014 five CD box set containing a quintet of releases from the influential New Orleans-based outfit. Includes the albums”Cabbage Alley” (1972), “Rejuvenation” (1974), “Fire On The Bayou” (1975), “Trick Bag” (1976) and “New Directions” (1977). The Meters defined New Orleans funk, not only on their own recordings, but also as the backing band for numerous artists, including many produced by Allen Toussaint. Where the funk of Sly Stone and James Brown was wild, careening, and determinedly urban, The Meters were down-home and earthy. Nearly all of their own recordings were instrumentals, putting the emphasis on the organic and complex rhythms. The syncopated, layered percussion intertwined with the gritty grooves of the guitar and organ, creating a distinctive sound that earned a small, devoted cult during the â™70s, including musicians like Paul McCartney and Robert Palmer, both of whom used the group as a backing band for recording. Despite their reputation as an extraordinary live band, The Meters never broke into the mainstream, but their sound provided the basis for much of the funk and hip-hop of the â™80s and â™90s. Throughout their career, The Meters were always led by Art Neville (keyboard, vocals), one of the leading figures of the New Orleans musical community. As a teenager in high school, he recorded the seminal “Mardi Gras Mambo” with his group, the Hawketts, for Chess Records. The exposure with the Hawketts led to solo contracts with Specialty and Instant, where he released a handful of singles that became regional hits in the early â™60s. Around 1966, he formed Art Neville & the Sounds with his brothers Aaron and Charles (both vocals), guitarist Leo Nocentelli, drummer Joseph “Zigaboo” Modeliste, and bassist George Porter. The band grew out of informal jam sessions the musicians held in local New Orleans nightclubs. After spending a few months playing under the Sounds name, producer Allen Toussaint and Marshall Sehorn hired the group — without the vocalists — to be the house band for their label Sansu Enterprises. As the house band for Sansu, The Meters played on records by Earl King, Lee Dorsey, Chris Kenner, and Betty Harris, as well as Toussaint himself. They also performed and recorded on their own, releasing danceable instrumental singles on Josie Records. “Sophisticated Cissy” and “Cissy Strut” became Top Ten R&B hits in the spring of 1969, followed by the number 11 hits “Look-Ka Py Py” and “Chicken Strut” a year later. The Meters stayed at Josie until 1972, and during that entire time they reached the R&B Top 50 consistently, usually placing within the Top 40. In 1972, the group moved to Reprise Records, yet they didnâ™t sever their ties with Sansu, electing to keep Toussaint as their producer and Sehon as their manager. Ironically, The Meters didnâ™t have nearly as many hit singles at Reprise, yet their profile remained remarkably high. If anything, the group became hipper, performing on records by Robert Palmer, Dr. John, LaBelle, King Biscuit Boy, and Paul McCartney. By the release of 1975's Fire on the Bayou, The Meters had a Top 40 hit with Rejuvenationâ™s “Hey Pocky A-Way” (1974), and they had gained a significant following among rock audience and critics. Fire on the Bayou received significant praise, and the group opened for the Rolling Stones on the British bandâ™s 1975 and 1976 tours. During 1975, The Meters embarked on the Wild Tchoupitoulas project with Artâ™s uncle and cousin George and Amos Landry, two members of the Mardi Gras ceremonial black Indian tribe, the Wild Tchoupitoulas. The Meters, the Landrys, and the Neville brothers — Aaron, Charles, Art, and Cyril — were all involved in the recording of the album, which received enthusiastic reviews upon its release in 1976. Cyril joined The Meters after the recordâ™s release. Despite all of the acclaim for The Wild Tchoupitoulas, its adventurous tendencies indicated that the group was feeling constrained by its signature sound. Such suspicions were confirmed the following year, when they separated from Toussaint and Sehorn, claiming they needed to take control of their artistic direction. Following the split, The Meters released New Directions in 1977, but shortly after its appearance, Toussaint and Sehorn claimed the rights to the groupâ™s name. Instead of fighting, the band broke up, with Art and Cyril forming the Neville Brothers with Aaron and Charles, while the remaining trio became session musicians in New Orleans. Modeliste, in particular, became a well-known professional musician, touring with the New Barbarians in 1979 and moving to L.A. during the â™80s. The Meters reunited as a touring unit in 1990 with Russell Batiste taking over the drum duties from Modeliste. Four years later, Nocentelli left the band, allegedly because he and Art disagreed whether the band should be paid for samples hip-hop groups took from their old records; he was replaced by Brian Stoltz, who had played with the Neville Brothers. The Meters continued to tour throughout the â™90s. 
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